Our Message
Rediscover Music.
Music is borderless and timeless, touching people's hearts across cultures and generations. Each day the discovery of a truly emotive experience from an unencountered sound awaits. Let us take you on your journey to rediscover music. Technics.
Delivering the Ultimate Emotive Musical Experience to All.
At Technics we understand that the listening experience is not purely about technology but the magical and emotional relationship between people and music. We want people to experience music as it was originally intended and enable them to feel the emotional impact that enthuses and delights them. Through delivering this experience we want to support the development and enjoyment of the world's many musical cultures. This is our philosophy. With a combination of our love of music and the vast high-end audio experience of the Technics team, we stand committed to building a brand that provides the ultimate emotive musical experience by music lovers, for music lovers.
A Music Experience Like No Other.
New encounters with sound
The audio landscape has undergone many changes over the years. From recording techniques and equipment to playback devices and types of media, the audio environment is constantly evolving and diversifying with listening convenience becoming a central need. The rise of the Internet, and in particular broadband speeds, has made it possible to send and receive huge amounts of data allowing music to be digitally obtained at lossless quality. It is now time to enter the era of digital networks, not only putting into place our decades of audio experience, but pushing the boundaries of sound reproduction and enabling new encounters with sound for music lovers.
Technics - A lifetime partner
Over 100 years of analogue audio history, sound quality has matured to a level where people are satisfied with their listening experience. However, the digital era has much more to offer. We will utilise our decades of experience striving for the best sound reproduction possible, through both technology and design, to bring to the market a product with superior audio quality. However, this is just one step in our ultimate goal of bringing the world’s highest-class audio experience to music lovers, who will not settle for anything less than the Technics listening experience.
Director Ogawa shares the essence of
Technics’ history and philosophy
Philosophy
All Technics products and activities are guided by three philosophies.
Sound Philosophy

Never Ending Pursuit of the Definitive Sound.
The dynamics of lively music, the breathtaking silence and tension of musical performances. The energy of instrumentalists, and the inspiration of the singer's voice. We will never stop striving to reach the definitive essence of music.
No Limits or Compromises in Sound Development.
In order to achieve the ‘Technics Sound’, we have established internal rules that push and challenge us every step of the way. Dedicated audio specialists are involved in a stringent development process that includes a sound committee performing rigourous sound assessments, step-by-step quality assurance checks and numerous physical performance evaluations. Furthermore, we select the best materials for creating the optimal sound. Only when all of these requirements have been met can the uniquely inspirational ‘Technics Sound’ emerge. In order to achieve this, there will be no compromise, ever.

Technics Sound Culture.
Audio is in our DNA.
In re-launching Technics we will be able to call upon nearly five decades of audio experience and bring this DNA into the digital age, delivering innovative digital signal processing technologies wrapped in new design forms.
A sensory experience, not just sounds.
Technics products do not simply produce sounds. They play an important role in the music lover's environment, wrapping the listener in vivid and dynamic music. Staying true to the fidelity of the sound is crucial and we guarantee to reproduce the audio signals as faithfully as possible while maintaining a clean, crisp sound. To realise the 'Technics Sound' we have established no fewer than 100 internal rules. These rules not only include numerical performance but design reviews, material selection and communication with audiophiles to establish and maintain the true 'Technics Sound'. This is the culture of Technics under which true excellence will be provided by music lovers, for music lovers.
Director
Michiko Ogawa

Technology Philosophy

Bringing Our DNA into a New Era to Deliver the Ultimate Musical Experience to All
We promise to challenge the limits of sound reproduction through innovative technologies that we will strive to constantly improve. The history of Technics is also a history of challenges. Today, musical cultures continue to thrive in all corners of the world. In response, we have constantly sought to free ourselves from conventional constraints, pushing the boundaries of what is possible to deliver an ever-better listening experience to our customers.
Our efforts have resulted in the release of numerous world-first products across various fields. In particular, our direct-drive turntables not only played a fundamental role in shaping the Hi-Fi world but also helped spawn a new culture: DJing.
In recent years, True Wireless Stereo (TWS) technology has opened up new ways to enjoy music for people of all generations. Today, Technics continues to carry this DNA forward into a new era, challenging itself to deliver the ultimate musical experience to all.

Fusion of Art and Science
In our view, technology is only a means to an end. Its ultimate purpose is to deliver an emotive listening experience. We develop technologies in pursuit of ideal product performance to recreate the world of sound envisioned by Technics—the artist’s breath, the lush tones emanating from instruments, the palpable sense of tension before the conductor begins to strike up the orchestra. We then put this technology to the test, listening over and over and tweaking the sound until we are satisfied. In essence, the products we develop are a fusion of art and science: we build them based on a logical scientific approach while refining their sound qualities through an intuitive artistic approach.
Exploring the Possibilities of Sound Reproduction
Technology evolves at a rapid pace. Modern digital processing and CAE-driven manufacturing have opened up infinite possibilities for ideas that were simply unattainable with traditional analogue technology alone. We are confident our proprietary technologies will captivate music lovers and audiophiles around the world. To give just a few examples, there is ΔΣ-Drive, which uses digital technology to further enhance motor rotational precision; Model Based Diaphragm Control, a DSP-based solution that eliminates the inherent nonlinearity of speakers; and the Magnetic Fluid Driver, for ultra-low distortion reproduction down to the lowest frequencies. We will continue to explore new possibilities with every advancement in technology, fulfilling our promise to deliver a truly emotive listening experience to the world.
Chief Engineer
Tadayoshi Okuda

Design Philosophy

Technics Design and Listening Environments in Perfect Harmony.
We will design long-lasting products which not only accentuate the music lover's listening environment but also stay true to the traditional Technics design identity.
Timeless Design in Every Detail.
Our new Technics products have a timeless design that stays true to the clean, stylish lines of our traditional Technics products, whilst also allowing for the housing of superior acoustic technology. High-grade materials, precise construction, expert craftsmanship, as well as dignified colours and texture all combine to create the prestigious centre piece of any music lover's listening environment.

Faithful to Sound Technology, Emotionally Appealing to the Eye.
Designed for sound and harmony.
The new Technics products have been designed with two key design concepts at their core. The first is a design that resonates with the music lover's heart. This is not simply a piece of electrical equipment but an essential element in the complete listening experience and a product that the music lover is proud to own and display in their home. The second is a design faithful to the traditional Technics identity with no superficial elements. The product has been precisely designed to only include essential elements enabling the high level of performance required.
Integrating heritage and new innovations to create Technics' core design values.
The passion and detail that go into creating Technics products are not only confined to technological innovations. When it comes to design, the passion is preserved by focusing on a well-engineered body construction that complements and enhances the technology inside. High-grade components are used for even the smallest elements such as the tactile, minimalist buttons. However, the past also meets the present to bring back a sense of analogue emotion with the switches and the sight of VU meters bouncing as you listen. Furthermore, the dignified colours and form of the equipment will surely help to create a prestigious aura wherever it is placed. Technics has a proud and diverse heritage that we have used to establish a new form of design identity that we hope will be equally loved over the years. What type of presence should Technics have in the emotional act of listening to high-quality audio? Our new design will surely provide the answer at a single glance.
Chief Designer
Ryoichi Yagi

History of Technics
Technics 1
The first model to feature the Technics brand, Technics 1 was a sealed, two-way speaker system. While compact, the system attained bass comparable to standard floor-standing speaker systems.

Technics 10A
The 10A was the first stereo preamplifier in the Technics series. Comprising an amplification section with two-stage NF circuitry, the amplifier achieved lower distortion and great dynamic range.

Technics 20A
The Technics 20A was the first power amplifier in the Technics brand. This high-power amplifier used twenty 50HB26 pentode tubes and OTL circuitry, which was exceptional for the time.

Technics 30A
As an improvement over the Technics 10A, the Technics 30A achieved unprecedented low distortion and an improved signal-to-noise ratio by using a unique SEPP method. Furthermore, the 30A boasted an entirely new, innovative RIAA circuit design.

Technics 50A
The Technics 50A was a transistor integrated amplifier that culminated from the tube amplifier development technology of Technics. Its newly adopted OCL method later became the mainstream for transistor amplifiers of many companies.

SP-10
The SP-10 was the world's first direct-drive turntable and created a new era in audio. It eliminated the vibration and rotation irregularity caused by the previous belt-drive method, and was delivered to broadcast stations even though it was designed as a consumer product. It also greatly influenced other audio equipment.

SL-1200
The SL-1200 was the first in a series of direct-drive turntables with an established reputation for stable rotation. The series remained in production for nearly 40 years and became a staple of the DJ culture.

SU-10000
The SU-10000 was the pinnacle of preamplifiers. With the development of the first three-stage operation amplification in the equalizer stage, the SU-10000 was an industry-leading presence among high-end amplifier separates in Japan.

SE-10000
The SE-10000 was the world's first power amplifier using a high-capacity constant-voltage power supply. Its VU meters allowed direct readings of accurate peak values and later became standard.

SB-1000
The SB-1000 was the first three-way bookshelf speaker system in Japan that used a dome unit. The speaker system gained popularity due to its excellent cost performance.

Technics 7 (SB-7000)
This speaker system demonstrated the validity of Technics' unique linear phase theory. The system later influenced many speakers around the world.

SE-A1
The SE-A1 was a superlative power amplifier. Each channel had four power supplies, for a total of eight power supplies in an independent left and right construction. This completely DC Class-A+ amplifier even eliminated capacitors from the feedback circuitry. The output was 350 + 350 W.

SU-A2
The SU-A2 was a preamplifier with Class-A operation in all stages. The circuitry was completely DC. Achieving a signal-to-noise ratio of 95 dB (2.5 mV) for the phono input and equipped with UFE*, this high-sound-quality, multifunctional amplifier allowed every possible control. * UFE: Universal Frequency EQ

SB-10000
The SB-10000 was the ultimate linear phase, bass-reflex, three-way speaker system using horn-type units for the medium- and high-frequency ranges. In the development of this system, Japan-first and world-first advanced technology was unsparingly introduced.

SL-10
The SL-10 was a fully-automated turntable loaded with Technics' turntable technology in the size of an LP record jacket (31.5 cm). Its design aspects were also highly acclaimed, and this turntable was acquired by the Museum of Modern Art in New York.

SL-P10
The SL-P10 was Technics' first CD player. The dedicated circuitry consisted almost entirely of newly developed LSIs and ICs. Direct drive was achieved using a DD motor.

SB-RX50
The SB-RX50 was a speaker system with units in a newly developed flat coaxial construction. The system attained excellent sound image localisation and flat frequency response by using separate baffling and other forms of vibration analysis.

SB-AFP1000
The SB-AFP1000 was a superlative flat-panel speaker that used twin cabinets based on a unique acoustic theory. This speaker achieved highly faithful sound reproduction and was used by the Vienna State Opera.

SST-1
The SST-1 was a twin load horn speaker system that achieved reproduction ability with higher efficiency and lower distortion. This system is part of the permanent collection of the Museum of Modern Art in New York.

SL-Z1000
The SL-Z1000 was Technics' first separate CD player. To achieve highly faithful sound reproduction, the CD player used a construction with thorough vibration control.

SH-X1000
The SH-X1000 was a digital processor with 1-bit MASH DA conversion in a three-chip configuration. The processor performed distortion-free reproduction of minute signals superimposed on low-level or large signals.

SB-M10000
The SB-M10000 was a Kelton-Method floor-standing speaker system that originated from unique silence technology. The system achieved a highly faithful sound field with deep bass reproduction while reducing enclosure vibration.

SE-A7000
The SE-A7000 was a power amplifier with newly-developed MOS Class-AA circuitry, which used MOS FET inputs for the amplification elements of the voltage control amplifier and exhibited strength in faithful signal control with excellent high-frequency response.

SU-C7000
The SU-C7000 was a preamplifier that used a battery-driven power supply. With the effect of magnetic flux leakage eliminated by completely separating the AC power supply and the signal circuitry, sound quality was improved with thoroughly purified physical characteristics.

